I finished the first draft of my “fantastical history with a touch of heartbreak” novel Sand and Bones today. PHEW. Just over 72K words about Elsie (the maiden), Clara (the mother), and Nne-Ala (the crone) on an almost uninhabited island in the Bahamas. There’s also a monster. And a cult.
My current elevator pitch for this book:
In a 1908 unlike ours, a young English girl and her family are summoned to join her father on an almost uninhabited island in the Bahamas because he needs his wife’s gold and his children’s blood.
Yesterday, I read an interesting article by an agent on Mythcreants and he presented lists of subgenres that were “hot” or “cold.” Guess what? Alt-history is apparently cold.
<head bangs on keyboard>
I might need to rework that elevator pitch. So, historical fantasy? LOL.
This may be a moot point. I have a long way to go before this book is ready to publish and I will more than likely self-pub again.
On to revisions. My editor awaits.
A number of the Treehouse Writers have new books available this summer. T.E. MacArthur released The DOOMSDAY RELIC, featuring Professor Lettie Gantry. This brand new adventure starring the Volcano Lady is in serial format. Kirsten Weiss has another installment of her cozy mystery series A Perfectly Proper Paranormal Museum Mystery available. Get your copy of […]
via New releases from the Treehouse — Welcome to the Treehouse!
For anyone keeping track, I am over 63,000 words into my latest novel, Sand and Bones, with about four scenes still to write. No monster on the page yet, with the exception of the icky cult leader.
I had hoped to finish writing in May but it looks like July’s Camp NaNoWriMo will be spent finishing the manuscript REALLY, TRULY this time. Then onto revisions.
And yet there’s this side project that’s starting to yank at me, diverting attention away from Sand and Bones. I blame Sparky McTrowell and Erasmus Drake.
Source: Writers’ Retreat at Clockwork Alchemy
It looks like the authors’ track at next year’s Clockwork Alchemy will be exciting!